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 Kristen Stewart in " Sur la Route - On the Road "
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Carina
Admin


Beiträge: 48.501

29.12.2012 12:17
#341 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " Release Datum für Argentinien


Das " Release Datum zu " On the Road " für Argentinien wird mit dem 07.03.2013 angegeben.





Quelle http://www.cinemark.com.ar/peliculas/369...no-subtitulada/

Carina
Admin


Beiträge: 48.501

29.12.2012 12:24
#342 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Kristen Stewart`s " On the Road " Bluse bei " ArcLight Hollywood "











Infos zu ArcLight Hollywood. https://www.arclightcinemas.com/location...rigin=hollywood


Quelle & kleiner Bericht in englisch http://hollywoodmoviecostumesandprops.bl...y-costumes.html

http://www.itsoktobeyou.org/2012/12/kris...on-road-at.html

Carina
Admin


Beiträge: 48.501

01.01.2013 07:00
#343 RE: Kristen Stewart in " On the Road " Zitat · Antworten

„On the Road“-Star Sam Riley: Kristen Stewarts „Oben ohne“-Szenen sind total unangenehm


In der Literaturverfilmung „On the Road“ spielt „Twilight“-Star Kristen Stewart die wilde Marylou – und die hat trotz ihres jungen Alters mit der braven Bella überhaupt nichts gemeinsam. In dem Roadmovie werden die Zuschauer Kristen sogar oben ohne sehen können. Ein Anblick, den einer ihrer Schauspielkollegen gar nicht so toll fand.

Nun könnte man meinen, dass die meisten Männer überhaupt nichts dagegen hätten, die junge Mimin hüllenlos zu sehen, doch bei Sam Riley, der bei diesen Szenen mit Kristen vor der Kamera stand, war das ganz und gar nicht der Fall. Dem Mimen waren die Liebesszenen eher peinlich und unangenehm.
„Das ist eine merkwürdige Sache... ich habe mich ziemlich unwohl gefühlt. Sie war 19, ich war fast 30, verheiratet... wir sind Freunde. Du machst so etwas irgendwie so schnell wie möglich, ganz anders als im wahren Leben. Ich sehe keine Zukunft für mich im Erotik-Bereich“, lachte Sam Riley im Gespräch mit „Sheknows.com“.

Kristen dagegen hatte zuvor mehrfach betont, dass die offenherzigen Aufnahmen ihr nichts ausgemacht haben und sie sogar möglichst freizügig wirken wollte, um der Romanvorlage gerecht zu werden.





Quelle http://www.viviano.de/sam-riley-a57555/

Carina
Admin


Beiträge: 48.501

02.01.2013 08:12
#344 RE: Kristen Stewart in " On the Road " Zitat · Antworten
Carina
Admin


Beiträge: 48.501

03.01.2013 10:18
#345 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Poste das jetzt hier auch nochmals , da es für Promos zu " On the Road " gedacht war


Zitat von Carina im Beitrag RE: Einzel Foto Shootings
Kristen Stewart & Garrett Hedlund im " Jalouse " Magazin Frankreich Mai 2012 - Kleider Style von Kristen Stewart





Quelle http://lasagarobsten.blogspot.com/2012/0...portada-de.html








Fotos und Scans findet ihr hier http://forums.thefashionspot.com/showpos...p;postcount=781


oder auch hier http://lasagarobsten.blogspot.com/2012/0...portada-de.html




Zitat von Carina im Beitrag RE: Einzel Foto Shootings
Sexy Kristen Stewart und Garret Hedlund auf „Jalous“-Cover



Garret Hedlund / Kristen Stewart / Jalous Magazin

Der neue Film „On The Road“ von Kristen Stewart und ihrem Schauspielkollegen Garret Hedlund steht in den Startlöchern. Um dafür kräftig Werbung zu machen, ließen sich die beiden in sexy Pose für das Cover des „Jalous“ Magazin ablichten. Bei dem Shooting sind richtig tolle Bilder entstanden, die das Cover-Pärchen in cooler, sexy Pose zeigen. So kennen wir unsere süße Kristen ja gar nicht!

In dem Heft-Interview erklärte sie auch, warum sie unbedingt in „On The Road“ mitspielen wollte: „Ich las ‘On The Road’ als ich 14 war. Es war das erste Buch, das ich wirklich lesen wollte. Zwei Jahre später bekam ich das Skript und traf mich mit Walter. Manchmal triffst du Leute und du merkst, dass du aus den gleichen Gründen wie sie arbeiten willst. Über was auch immer wir uns unterhielten, wie teilten die gleiche Begeisterung, er und ich fühlten die gleiche Energie. Als ich ging und erfuhr, dass ich die Rolle hatte sprang ich überall herum!“

Kristen Stewart und Garret Hedlund hatten viel Spaß

Die Dreharbeiten waren so unkompliziert, dass Crew und Cast am Ende wie eine Familie gewesen seien. Jeder gab sein Bestes und hatte Spaß. Bei Filmdrehs ist das nicht selbstverständlich, oft herrscht Stress und Chaos. Kristen sei sehr froh gewesen, Teil dieser Familie gewesen zu sein und diese Erfahrung in ihrem Leben gemacht zu haben. Deutsche Fans müssen sich allerdings noch etwas gedulden: Kinostart hierzulande ist erst am 4. Oktober 2012. Freut ihr euch schon auf den Film?

Quelle http://www.celebrity.de/kristen-stewart-...dlund-ganz-sexy

Zitat von Carina im Beitrag RE: Einzel Foto Shootings



Video : " Clever TV " über das " Jalouse " Shooting mit Kristen Stewart & Garrett Hedlund









Zitat von Carina im Beitrag RE: Einzel Foto Shootings
Kristen Stewart auf dem Cover der Jalouse und der ELLE


29 Apr 2012 | 11:10


In Frankreich wird Kristen Stewart mit ihrem Filmpartner Garrett Hedlund aus On the Road – Unterwegs auf dem Cover der Jalouse zu sehen sein und die britischen Fans von ihr können sich eine ELLE mit Kristen als Coverstar sichern.


Von dem Shooting für die Jalouse gibt es hier Bilder und die Titelseite.














Um Snow White and the Huntsman zu promoten, gab Kristen der ELLE UK ein Interview und die Coverstory wir in der Juniausgabe zu finden sein, Hier gelangt Ihr zum Cover mit ihr.


Quelle http://www.justjaredjr.com/2012/04/27/kr...e-uk-june-2012/

Quelle http://www.celebuzz.com/2012-04-27/krist...jalouse-photos/







Neue / Alte Stills : Kristen Stewart & das Shooting für das " Jalouse " Magazin Mai 2012 / ohne Beschriftung & Scans


































Quelle http://kstewartfans.livejournal.com/3257267.html

http://lasagarobsten.blogspot.ch/2013/01...-para.html#more

Carina
Admin


Beiträge: 48.501

07.01.2013 12:24
#346 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road - Sur la Route " beim Film Festival von Santa Barbara


Transcript - 'On the Road' Q&A at the Santa Barbara International Film Festival



Roger Durling with Actors Garrett Hedlund and Kristen Stewart on December 9, 2012

Roger Durling: Garret, you’ve been involved with this project from the get-go, how many years has it been?

Garrett Hedlund: Since 2007.

Durling: And I read that you gave up other opportunities with other films to be in this project. What was it that made you so adamant about being a part of it?

Hedlund: You’d be crazy not to, you know when Walter gave me this role, I thought it was one of the most incredible things that had ever happened to me. And also, you know, I was a big fan of the book. I read it for the first time, I was seventeen, and a lot of the other writers from the beats and just literature in general had such a huge influence on me. I felt that to be involved with something as iconic as this was an opportunity of a lifetime, really. And I could go as deep as I could in terms of research, I mean, we had time. The film wasn’t greenlit at the point when I signed on, so there was years of meeting the family members of the characters in the book. You know, Dean Moriarity was the alter ego of Neal Cassady, so I spent a lot of time with John Cassady, his son. I got to go to San Francisco and meet with some of the other beat writers and sit down with them. I spent a lot of time reading Kerouac and Cassady and all the letters, I read all of the writers that inspired them – Proust, and Nietzche and Wolfe. So it was, you know, really incredible.

Durling: And Kristen, you’ve also been involved with this project for a very long time, since, Into The Wild with Sean Penn?

Kristen Stewart: It was a little after that. I think it was in 2007, I was seventeen.

Durling: What was it that attracted you to this role?

Stewart: On The Road was my first favorite book. I read it as a freshman in high school. And then when I heard Walter was directing it I would have done anything to be involved. I would have been his assistant on it. I would have done craft service. The reason you love something, it’s so clear. I don’t even really remember the details of the initial conversation; I think I just drove away shaking. I mean I was fairly certain. Not necessarily that I would get the part, because it could have been decades and we still would have had to wait fifty years for it to begin, but that I wanted to commit to something like that. Which is obviously, at least the way I remember, so irresponsible of me. I wasn’t ready for that part yet, at all. I got involved when Garrett did, and if fifty years had gone by and we’d missed out then it would have been a really painful experience.

Durling: I had a question for Walter, and maybe you can answer this. Why did it take so long? I don’t know if everyone knows the history, but Francis Ford Coppola had the rights, correct?

Hedlund: Since 1979.

Durling: Did Walter share with you why it took so long to get the project going?

Hedlund: I mean it definitely wasn’t the natural arc that most films are made in. I think it was a struggle to formulate a script that captured the spontaneous style that these guys were living in. But there’s something extra all throughout you know, with the crazy cats, conversations, and crazy experiences. Godard was going to do it at one point. And obviously Francis Ford Coppola was going to direct it. Lots of others, I think Gus Van Sant at one point. And Francis had drafted a script all the way back in 79 or 80, and I think it was a big struggle for him to capture the internal rhythm that fueled these guys’ journey. Anyone that was going to direct this journey had to find out for themselves which subject matter was to be the most important in the production of the story. And that’s not to say, you know, you can read through the book and almost every moment stands out and we shot every scene and we always joked that the DVD was going to be very rich. Lots of cutting room floor material. Walter was initially approached at Sundance when he was there for The Motorcycle Diaries. Someone from Zoetrope, Francis Ford Coppola’s company, approached him with On The Road. He felt that as a Brazilian filmmaker, this wasn’t his territory whatsoever. While he’d read the book in 1974 and it inspired him so much, and helped make him want to be a filmmaker, it inspired him about the lands of America that had this sense of yearning and freedom. He was never going to agree to the film because he felt that for him it would be necessary to do a cross-country journey; retracing the steps of Kerouac and Neal and the other literary figures that were around. So he did a cross-country journey for four years, before we even shot the film and created, “The Search for ‘On The Road’”. In doing the documentary he took up so much passion for the people the book and the journey that he found it irresistible.

Durling: Kristen, in the book the women, especially Mary Lou, are shall I say, underwritten. Were you involved in the process of expanding the character of Mary Lou?

Stewart: Yeah, she’s definitely on the periphery of the story. I think some of the people behind the characters thought it would be easier to not change the story necessarily and never add anything really. It was always just sort of felt. I think a really common idea in the book is that the women are treated as sort of playthings like they’re ambience or sexy wild things.

Durling: Which seems like misogyny to some people.

Stewart: Yeah, which is interesting to me because I always hear men say that like, “So hey, don’t you think there’s a chauvinist feeling to the use of women in the story?” and I think that’s a kind of simplistic way of looking at it. They’re not on the forefront of the story so you don’t know where their hearts or where their minds are. But at the same time, getting to know Luanne especially, I don’t think anyone could have taken from her. She was so generous and giving and what she was getting in return was not leaving her empty. The same goes for Dean. She was an incredibly formidable partner and talk about a girl who doesn’t know fear. She was just a teenager and it’s not a very typical quality for a teenager to have. That like, really hungry and unselfconscious and self-aware thing. It’s not common. As soon as I met her daughter, she went into great detail; she’s got a killer memory as well, and everything just made sense. I think we were able to feel them instead of having to have to illustrate it. It sort of just came across as we got to know them and how we loved the people.

Hedlund: She’s wise beyond her years, this character. I mean, she’s the one who left me in New York at the beginning. I just thought Dean and MaryLou were so parallel because she was wise beyond her years, he was as well, and they were kind of just great travelling companions. She was kind of the mirror image of him in a way, because just like that she left him to go back to Denver when she reveals that she has a husband to return to.

Stewart: They kind of helped to raise each other.

Durling: You talked about the research you did for the roles. I read somewhere that Walter did a “Beat Camp” for you guys. Can you describe it? Was that sort of rehearsals or improvisation before?

Hedlund: All of the above. On this film, it went kind of fast. We only had six weeks of pre-production before going on the road for six months to shoot. And four of those weeks we spent in Montreal. We started in the middle of the summer and kind of camped out in this apartment where Sam Riley, Kristen, Walter, and I would all go to and we would have the family members come. John Cassady, Anne-Marie Santos (LouAnne’s daughter), and Gerald Nicosia who wrote Memory Babe, a Jack Kerouac biography, who also shared with us hundreds of hours of audiotape of MaryLou speaking of Jack and Neal, which was incredibly powerful. We watched old films that Walter would share with us, Shadows, John Cassavettes, and a film that just saw the light of day, The Exiles, which had been in archival footage for up until maybe five years ago, and it was shot in the fifties. All of the walls surrounding were filled with photos of the characters, the locations of the houses, the locations where we were gonna go, what it looked like then, what it’s going to look like now. Jazz was constantly playing. Dexter Gordon, Slim, Jack McQueen, Miles – playing all day along. And all the reading that we had to do. There was hundreds and hundreds of letters that all of these characters wrote to each other. More particularly, Neal Cassady wrote to Jack. They’re very personal and uncensored, and from then we got to sort of realize the thought processes and what made everyone tick.

Durling: Kristen, the Hudson is another character in the movie and you obviously spent a lot of time inside this car. What was that experience like, it seemed awfully claustrophobic.

Stewart: Really?

Hedlund: Remember Argentina?

Stewart: Yeah, that got old.

Hedlund: After Montreal we needed snow in August. So we went all the way down to Patagonia in Chile and shot for three days. I remember there was a banana on the backseat floor and that’s how you could tell how long the day was by the current state of the banana. Obviously the banana was getting squished on the backseat floor, and whoever was in the backseat would be you know…

Stewart: Making disgusting jokes about the state of the banana that don’t need to be repeated here.

Hedlund: They only made the Hudson for about six years; I think the last Hudson was made in ‘54. It’s a wonderful, wonderful car. I bought a ‘53 Hudson before we started shooting and this was a ‘49 Hudson but I just wanted to get used to the three on the tree and driving it. All these shots where everybody’s in the car, you had to know how to handle this thing. Like when we were shooting the blizzard scenes with my head out the window I was actually driving the car. The camera’s just out there, nobody’s around so we just did the scene driving down a blizzard road. Walter would be walking and say, “There’s a snowplow coming! Do you see the snowplow?” It was like, “I can’t fucking see anything just tell him to watch out for me.”

Durling: You know, you mentioned Argentina. A lot of these landscapes have disappeared in the United States because of the commercial sprawl and so you had to travel to other parts of the world. Can you tell us about that?

Hedlund: Yeah, after we started in Montreal for about three weeks, went down to Argentina. Flew over to Chile; shot there for three days. Flew up to New Orleans; shot for two weeks. Flew over to Arizona; shot for two weeks. Down to Mexico City, for another three weeks, and after we finished that they said, “We’re halfway!” Then there was Calgary for three weeks, Montreal for another month, and then we finished in San Francisco for the last four days of shooting, which were mostly either the interiors with Dean and Camille or driving through Russian Hill. Then, Walter and I went on a three week journey with a five man crew where we took the Hudson from New York to Los Angeles, because with the principal photography we couldn’t possibly get all the lands of America throughout the schedule we had. So Walter and I shot the Harlem rooftop scenes there then went out to the Adirondacks to get more snow shots, broke down in Utica, drove through a blizzard to Erie, Pennsylvania, with my head out the window. We didn’t have a speedometer or windshield wipers, and our gas can was in the trunk of the car so obviously there was some gasoline high going on as well. We drove with no brakes from Cincinnati to Lexington, Kentucky, then over to Nashville where we tried to find brakes on a Sunday in the Bible belt. We were driving only on back roads too, so it took us eight hours to get to Memphis where it would have taken two hours by freeway. Broke down in Texarkana, Arkansas. Broke down in Lubbock, Texas. Broke down in Las Vegas, New Mexico for three days. Then up through Arizona, down to Phoenix and then where it would have taken five hours by freeway, it took us eighteen hours to get from Phoenix to Los Angeles and that’s where we found that railroad that you see in the end credits between California and Arizona. We just stopped to take a photograph and we saw this wonderful railroad track over there. And if anybody knows Neal Cassady or his life, he had died, or was found dead walking from Temple Town, New Mexico on the railroad tracks. And was found between towns where he had gone to revisit the ties that him and Kerouac had had in the city when he was down there for a wedding. So, it was very special that we at least got to have that footage. I didn’t even know it had made the cut.

Durling: Kristen, you mentioned MaryLou’s daughter…Has the family seen the film? And what was their reaction?

Stewart: Yeah, I think Anne Marie saw it a few weeks ago, we were in San Francisco and she attended a screening with her husband and daughter. I think she’s really happy with it. The thing that Luanne always did with her daughter, and probably with many other aspects of her life as well, was that she really kept things separate. Which is why I got a really interesting perspective through her daughter. Her values, and desires, and ideals were pretty varying. And yet she was able to provide herself with the life she wanted to live. I mean afterwards, she was just smiling a lot. Her mother had just passed away right before we were about to get this thing going. Out of a lot of characters in the book, she would have been one of the ones that would have been really enthusiastic and into it and would have loved to talk to us, and it’s too bad that it was timed badly. But yeah, I think she’s happy with it. She said that she’s always really shocked and surprised by that aspect of her mom’s life because she came right after. She would tell us stories about people coming back to the house and her mom would never explain to her who they were, so one day she was sitting there, she was sixteen years old and she answered the door to Neal Cassady. He looked at her and–he could always never accept the fact that she wasn’t his daughter. So he was always like, “Oh look! She’s got my eyes!” when she was a little baby, and Luanne would be like, “Uh, no, she doesn’t.” Which is crazy, it’s always insane to me that they never had a child together after all that. But anyway, Neal looked at her and said, “Oh, you’re not as pretty as Jack said you were. Where’s your mom?” and she was like, “Who are you?” Then she found out years later who he was, and he had shown up on the bus actually.

Hedlund: Oh yeah, the bus from the Electric Kool-Aid Acid test days. But it’s also special, Anne Marie the other night had given each of us a vinyl from her mom’s personal collection. Her mom, appreciated her vinyl so much that all of these had her initials on the back in the top right corner so…

Stewart: Yeah, there’s a little “Lu” and it’s really cute.

Durling: So the jazz, I wanted to ask Walter about the music but one of my favorite moments in the movie is your dance sequence. Was that choreographed, or could you explain how that scene was shot?

Hedlund: Yeah, it was maybe choreographed in the way of memorizing your lines and knowing what to say but having the freedom to improvise. Because at that point, and I know that later we found out that Luanne’s favorite dance was the jitterbug but that would have been a little too cliché for this moment, and at that period we couldn’t find any reference of dance because they were coming out of swing and moving into be-bop. So we just interpreted that and learned a few interesting steps and what to do, and it was much more on the seductive side. Really we just learned a few steps and Walter would film ten minutes without calling cut. So of course we had to use a song that was cut to ten minutes so those were some of the most exhausting days of the shoot. We were just being maniacal on the dance floor and a big sort of bash was going on but after ten minutes, cut. Then we’d run outside to catch our breath.

Stewart: There was no air in the room either. It was totally like a vacuum. It was hot.

Durling: Well it was a really enjoyable moment. Garrett, this is not a very likeable character. Was it difficult to inhabit for such a long period? I mean he’s very seductive and attractive and you’re a good looking guy, but he’s ultimately despicable.

Hedlund: I think the energy was the most exhausting thing. You know when I first read the book, I always empathized with the Kerouac character, Sal Paradise, because at that time, I was doubling up on credits to move out to Los Angeles and literature was a big thing. I was going through Creative Writing and World Lit at the same time, so seeing his kind of spontaneous prose and his never ending riff on people and places and all aspects of life. Just anything he observed and not being the attraction, but writing about what’s attractive and writing about the beautiful imperfections of life. And then when I met with Walter I was so nervous, because reading the book you’re so attracted to this energetic nut who had this genius mind that goes on and on and on about how Twain said this and Proust said this because he really wanted to be a writer and he wanted to go to Columbia like Kerouac. So, I remember trying to put these words in my mouth for the first time and it was nerve-wracking, but I had a lot of coffee. Roger Durling avec les acteurs Garrett Hedlund et Kristen Stewart le 9 décembre 2012


Quelle http://sbiff.org/on-the-road-qa/

http://www.itsoktobeyou.org/2013/01/tran...ta-barbara.html

Carina
Admin


Beiträge: 48.501

08.01.2013 16:12
#347 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Kristen Stewart & Garrett Hedlund : Neue Promo Stills für " On the Road "







Quelle http://imgbox.com/g/6adcaeLa0l

http://lasagarobsten.blogspot.ch/2013/01...n-y-garret.html

Carina
Admin


Beiträge: 48.501

19.01.2013 16:10
#348 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Video : Kristen Stewart für " On the Road " im Interwiev mit " Time Warner Cable " bei der Pressekonferenz von New York




Veröffentlicht am 18.01.2013

Carina
Admin


Beiträge: 48.501

30.01.2013 09:46
#349 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " beim internationalen Film Festival von Boulder


Das Film Festival findet vom 14 - 17 Februar 2013 statt , während " On the Road "
am 13 Februar 2013 um 9:30 pm. vorgeführt wird.



Weitere Infos findet ihr unter folgenden Links
http://www.biff1.com/biff-2013/program/#9

http://www.dailycamera.com/movies/ci_224...013-peter-fonda


Quelle http://noticias-crepusculo.blogspot.ch/2...ulder-film.html

http://twilighterspypjla.blogspot.ch/201...ulder-film.html

http://krisbiansite.blogspot.ch/2013/01/...ulder-film.html


Carina
Admin


Beiträge: 48.501

11.02.2013 07:30
#350 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " bei " iTunes " für Australien erhältlich





Ab 20 Februar 2013 ist " On the Road " bei " iTunes " für Australien erhältlich.
Kostenpunkt : $29.99.



Bestellbar https://itunes.apple.com/au/movie/on-the-road/id594790857


Quelle http://mrhedlund.com/2013/02/03/pre-orde...-on-itunes-aus/

Carina
Admin


Beiträge: 48.501

15.02.2013 18:44
#351 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " - 16 Februar 2013 Kinostart in Ottawa - 18 Februar 2013 in Montreal / Kanada


On the Road
Fri, Feb 15 9:30
Sat, Feb 16 6:35
Sun, Feb 17 1:45 9:15
Mon, Feb 18 9:00
Tue, Feb 19 9:05
Wed, Feb 20 6:30
Thu, Feb 21 4:20

14A | Drama | 124 minutes | Alliance Films


Weitere Infos http://www.frontrowcentre.com/movies/ont...the-road/31926/


Quelle
http://www.frontrowcentre.com/cinema/ont...bytowne-cinema/

Carina
Admin


Beiträge: 48.501

16.02.2013 07:02
#352 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Scans : Kristen Stewart & " On the Road " im " FilmInk " Magazin Australien











Quelle ‏@Mel452

http://lasagarobsten.blogspot.ch/2013/02...k-magazine.html

Carina
Admin


Beiträge: 48.501

08.03.2013 09:51
#353 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " in den Kinos der USA - Liste


Los Angeles, CA - American Cinematheque at the Egyptain Theatre - 13 März (Infos zu den Tickets) http://www.americancinematheque.com/amcinebiz/jointhe.htm

New York City, NY - Village East Cinema

Brookline, MA - Coolidge Theatre - 22 März

Dallas, TX - The Landmark Magnolia - 22 März

Kansas City, MO - Tivoli Cinemas - 22 März

Portand, OR - Living Room Theaters - 22 März

Philadelphia, PA - Ritz Five - 22 März

Ann Arbor, MI - Michigan Theater - 29 März

Tampa, FL - Tampa Theatre - 29 März

Columbus, OH - Drexel - 29 März

Santa Rosa, CA - Summerfield Cinemas - 29 März

Pittsburgh, PA - Regent Square Theater - 29 März

Maitland, FL - Enzian Theater - 29 März

San Antonio & Houston, TX - Santikos Theatre - 29 März

Santa Fe, NM - Center for Contemporary Arts - 5 April

Fayetteville, NC - Cameo Art House Theatre - 5 April

New Orleans, LA - New Orleans Film Society's Film-O-Rama 2013 Festival 5 y 11 April.

Boise, ID - The Flicks - 12 April

Missoula, MT - The Wilma

Paducah, KY - Maiden Alley Cinema





Quelle inklusive Infos zu den jeweiligen Kinos http://www.robstendreams.com/2012/12/lis...r-starting.html

http://teamkristensite.blogspot.com.au/2...-road-from.html

Carina
Admin


Beiträge: 48.501

08.03.2013 09:54
#354 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " Bericht von der Los Angeles Times


Kristen Stewart's 'On the Road' heading back to theaters


Even casual media consumers probably were aware of "On the Road," Walter Salles' adaptation of the Jack Kerouac novel starring Kristen Stewart, in December.

That month, Stewart appeared on numerous TV programs, including "The Daily Show" and "The Late Late Show With Craig Ferguson," talking up her role in the film as the free spirit Marylou, while also touting the movie in appearances for "Breaking Dawn: Part 2." Garrett Hedlund, who plays Dean Moriarty in the Beat drama, was also a frequent media presence.

After "On the Road" grossed just $150,000 in a total of six theaters and the film failed to pick up much awards interest, distributor IFC decided to shelve plans to widen the film in mid-January.

But in an unconventional move, it will give "On the Road" another whirl. Beginning March 22, the movie will play on 150 screens, including several in cities, such as Chicago and San Francisco, where it never played. IFC will also make it available on VOD for the first time.

"We were planning a pretty major expansion for January," Jonathan Sehring, president of IFC Films, said in a phone interview Wednesday. "But when you don’t get the awards attention that you're hoping for, you have to be willing to change your plans." Sehring said he believes March offers a clearer runway, without the traffic of the holidays' major awards titles.

Studios routinely try so-called "qualifying runs" in December before a wider release the following year. But those tend to be deliberately below-the-radar plays for one or two weeks designed to give the film awards eligibility, and usually seek to avoid extensive media and review attention that a distributor prefers to come later.

"On the Road," on the other hand, received buckets of print and broadcast coverage in December, particularly in big markets like New York and Los Angeles, where it played, and was reviewed by many major outlets at the time. (At the moment it has a very modest 43% approval rating on Rotten Tomatoes.)

March is indeed a more open period for prestige titles; the month is populated with more commercially minded entertainment like "Oz: The Great and Powerful," Sam Raimi’s 3-D prequel of "The Wizard of Oz," or "Olympus Has Fallen," the White House disaster epic starring Gerard Butler.

Still, in the rapid-fire news cycle of movie marketing, it’s rare that a film can recapture interest several months after its initial push.

Hedlund’s publicist said in an e-mail that the actor had done "so much press from Cannes on" that he would not be doing anything additional to promote the new release. Stewart’s rep did not respond to a request for comment.

IFC will also have to contend with a competing title of sorts in "Spring Breakers," the Harmony Korine movie about a youthful vacation gone awry that opens on March 23 on about 500 screens. Featuring the likes of Selena Gomez and Vanessa Hudgens, it could play to many of Stewart’s young fans.

Sehring, though, said he doesn’t see the two movies as competitive.

“This is a movie that played Cannes and is directed by Walter Salles,” he said. “I like Harmony Korine a lot—we did a movie with him—but it’s not exactly the same audience.”


Quelle http://www.latimes.com/entertainment/mov...0,6667683.story

Carina
Admin


Beiträge: 48.501

09.03.2013 08:41
#355 RE: Kristen Stewart in " On the Road " Zitat · Antworten
Carina
Admin


Beiträge: 48.501

14.03.2013 10:06
#356 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " Release Datum für Spanien


Das Release Datum für " On the Road " on Spanien wird neu mit dem 19 April 2013 angegeben.


Quelle http://www.wandafilms.com/

Carina
Admin


Beiträge: 48.501

16.03.2013 09:19
#357 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Kristen Stewart - " On the Road " Bericht von der " Chicago Sun Times "


Kristen Stewart: Nude scenes ‘seemed so necessary’ in ‘On the Road’


March 14, 2013 4:16PM


Human beings are just animals,” says Kristen Stewart. “It’s about fiercely living and squeezing every single drop out of life and not denying any aspects of it.”

Despite her up-and-down personal life, Stewart is not talking about herself or any dramas that have tabloid headlines attached to them. Instead, she’s mulling over her explicit scenes in “On the Road,” opening Friday.

“So much is clearly illustrated through her sexuality in her film,” Stewart says of her character Marylou. “But there was nothing about it that seemed gratuitous. It just seemed so necessary. There was simply no question that this would be a more sexual role.”

Based on the classic book by Jack Kerouac, this adaptation is about a young writer named Sal Paradise (Sam Riley) whose life turns upside-down during a cross-country road trip with Dean Moriarty (Garrett Hedlund) and his girlfriend, Marylou.

“She’s a very dedicated performer,” says Hedlund of working with Stewart. “She read this book at 15 and stuck with this project. It meant that much to her.”

After the tumultuous 2012 that brought her final “Twilight” film as Bella, Stewart now says, “I’m doing all right. No, I’m actually doing good. I’m happy.”


Quelle http://www.suntimes.com/entertainment/mo...n-the-road.html

Carina
Admin


Beiträge: 48.501

17.03.2013 07:28
#358 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " : Neue Stills mit Kristen Stewart , Sam Riley & Garrett Hedlund







Quelle https://www.facebook.com/OnTheRoadFilm

Carina
Admin


Beiträge: 48.501

24.03.2013 06:42
#359 RE: Kristen Stewart in " On the Road " Zitat · Antworten

" On the Road " Promo Poster in einem Kino von Madrid / Spanien





Quelle https://www.facebook.com/photo.php?fbid=...&type=1&theater

Carina
Admin


Beiträge: 48.501

12.04.2013 08:52
#360 RE: Kristen Stewart in " On the Road " Zitat · Antworten

Scan : " On the Road " im Kinomagazin April





Quelle http://lasagarobsten.blogspot.ch/2013/04...road-en-la.html




" On the Road " Promo Werbung in Spanien





Quelle http://lasagarobsten.blogspot.ch/2013/04...nac-callao.html

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